Showing posts with label progress. Show all posts
Showing posts with label progress. Show all posts

Friday, March 8, 2013

Amulets of Talos and Akatosh

Now that my Stormcloak costume is finally done, I can start posting construction logs about how I made each piece. I'll start with the Amulets I made. These were kind of optional to the costume, but they were in the concept art for the Stormcloak armor, and I felt they played a lot into the storytelling.


This is the in game render for the Amulet of Talos. In order to explain this item's importance, I'm going to give a little history lesson. Please feel free to skip ahead if you just wanna get to the item's creation. 

In Elder Scrolls lore, Talos is the Nordic name for the revered emperor, Tiber Septim. He singlehandedly started the Third Era on Tamriel by forging a new empire and uniting the whole continent through well-planned strategic maneuvers. There are various stories about him through different names by different cultures. He is especially noted in Skyrim because he was of Nordic descent, and was also a Dragonborn who sought training from the Greybeards. In fact, all emperors descended from Talos were Dragonborn, the line ending with Martin Septim in TESIV Oblivion (also starting the Fourth Era). But I digress...

While prior to Talos's existence there were "Eight Divines" (Aedric gods worshipped largely by mankind), many believe Talos to have ascended to god-hood at death, becoming the "Ninth Divine". By the time of TESV Skyrim, the empire is in shambles. The death of the last Dragonborn emperor was enough to weaken the empire's hold on Tamriel, and countries began to "secede from the union". An old Aldmeri (High elves) sect from the Second Era known as the Aldmeri Dominion has been reforged by the Thalmor noble house with their own ambitions to rule over Tamriel as they once had long ago. Soon a Great War begins between elves and men, and Skyrim is instrumental in supplying strong warriors to aid the empire. Eventually there is a stalemate, and although humans have regained control of the Imperial Capital, they are in a much weaker position than the elves. As such, in order to preserve the peace, the empire signs the White Gold Concordat, a treaty that has some serious ramifications. The most notable to the Nords is a ban on the worship of Talos.

At first, for me, it was hard to fully understand the reasoning behind this. The Aldmeri Dominion largely believes that there are still only Eight Divines; that Talos did not ascend to god-hood. After all, the Divines lack the physical presence that Daedric gods have on Tamriel, in one form or another, so there isn't much evidence to his god-hood beyond just a belief system. But still, what's it to the elves whether men worship Talos or not? Then it occurred to me, the likely reason was that they wanted to weaken the empire further, from within its own self. While many Cyrodiilic humans worshipped Talos, none did so more than the Nords. Talos is the Nordic god-hero. The elves surely knew that not all Nords would agree to sacrificing their freedom of worship for peace, and infighting would occur. So this was a strategy for the Aldmeri Dominion to continue to weaken the empire without having to sacrifice their own soldiers. In a sense, it's a way of surpassing the concordat. It's part of a long-term plan to continue to weaken the empire, and once Skyrim is decimated from civil war and can either no longer aid with soldiers (or if the Stormcloaks win, becomes an independent nation), the Aldmeri can strike them at their weakest. And the civil war is exactly what happens. It's more than just the law against the worship of Talos; the rebelling Nords also feel that they've been betrayed by the empire. They supplied many soldiers in the Great War. Many were sent off to their death. They fought hard for their empire. And in return, one of their strongest cultural traditions is made illegal. 

Anyway, there's no direct evidence of this motive in the game, but it seems the most obvious. I'll be very interested to see what the outcome of this is when we get to TESVI. But again, I digress. The point of this whole history lesson was to convey just how important this little trinket is. An Amulet of Talos owned by any Stormcloak is their most prized possession. It's a symbol of all he/she is fighting for, as well as the strength needed to keep going.

Yep, I'm a geek.


Next we have the Amulet of Akatosh. I'll keep this one brief. This is drawn a little more ambiguously in the Stormcloak concept art, but has the same general shape and makes the most sense if you pair it with the importance of the Amulet of Talos. Akatosh is the Aedric god of time, and appears in the image of a dragon (the amulet also resembles an hourglass). He is the father of dragon-kind, as well as Dragonborns. It is believed that Talos himself was descended from Akatosh. This is why Martin Septim was able to assume the "Avatar of Akatosh" in TESIV Oblivion. Even your main character that you play as in Skyrim, the Dragonborn, is thought to have powers blessed by Akatosh. With dragons having had their largest presence in the country of Skyrim, as well as Akatosh being closely tied to Talos, it is easy to see why this is another valued amulet for any Stormcloak to own.

Now onto the creation stuff! (Yes, I realize not many people will read that whole essay above)


The amulets were both carved from paperclay. This took a good long while. I had to be careful because while paperclay is pretty strong and can survive a fall without breaking most of the time, areas of it can be delicate and brittle while you're carving. I used jewelry wax carving tools for this process.



Above you can see the base paint mixture I used for both amulets. It's a mix of gold fabric paint and brown acrylic. There wasn't a specific reason for using the fabric paint in particular, but it had a nice bronze shimmer that seems apparent in the renders for both amulets. You can also see some progress for winding the hemp cord into shape for the Talos Amulet.


Here's the finished paint job for both amulets. Admittedly, they look a bit better from farther away, but that works fine for me since they're meant as secondary details for my costume, which would normally be viewed from several feet away. I liked the old bronze look of the Talos one, slightly green and dark from years of weathering.


And the finished products! I think the Amulet of Talos came out looking particularly accurate. The wooden beads for Akatosh really work well I think. I used some black leather cord to string them together, and the amulet itself is hooked on my two pieces of chain mail that I spray painted gold. It's missing the carvings seen in the render; I decided to forgo them in the interest of time and actual paid work I have to do haha. Besides, the necklace part barely even shows on the costume as it's covered by the blue scarf. So that's it! I had a lot of fun making these and they were relatively simple to do. It's fun to own little trinkets like these that feel like they literally came from Skyrim. Makes playing the game that much more believable.

I'll be doing a few more making of posts and then I'll post the photoshoot!

Wednesday, January 23, 2013

Butterbeer and the Monster Book of Monsters!

Is the blog overdue for an entry? I'd say so. I've desperately been trying to finish up my Stormcloak costume for a photoshoot and documentation here, but free time for cosplay work is found few and far between my real work as of late. It will come though.

But in the mean time, here's some fun I had this holiday season!


Butterbeer! So delicious! It's all foamy and yummy and cream soda-y but butterscotchy too :B And fillllliiiiing. You feel like you'll have to roll around the room after this. Here's the recipe I used: http://www.squidoo.com/universal-studios-orlando-harry-potter-butterbeer-recipe

In addition, one of the Christmas presents I worked on at the end of the year was the Monster Book of Monsters!


It was incredibly fun to make this. Not made to be an exact replica, it was created entirely from extra cosplay materials I had lying around (aside from the Canson Sketchbook bought for it specifically).



I started off by making the overall cover from craft foam sewn together, fit specifically to the sketchbook.


I used some Christmas wrapping ribbon for the tongue which is glued directly to the inside of the cover. I used Sobo glue to adhere the faux leather (from my Stormcloack costume) to the craft foam. The eyes and teeth were cast in hot glue from negative molds I carved into paper clay. Considering I didn't make a positive to start with, I'm quite happy with their outcome.



Afterwards, I adhered faux fur to the leather, plotting where the cleared areas would be for the writing, and anywhere else. I was also careful to cut the spider-leg-like parts around the edges, which are better seen in the first picture. At this point I roughed the leather up a bit (not in an interrogation room) with sandpaper.

The cover was then taken off the book so I could paint the fur the appropriate color (it was originally white). To do this, I used watered down brown fabric paint. I think I had about a 1:1 ratio. It took a while - the water was absorbed quickly by the fur and cotton binding underneath, so I kept having to mix more as I slowly spread it across. Once covered, I let it dry by fan, then used some black paint, sometimes watered down, for detailing and blending the transitions between leather and fur.

One of the most difficult parts was to properly get the fur adhered to the curved contours of the eyes, and stay that way till dry. I pressed down on the fur using a popsicle stick in between each eye to do this. In order to deepen the effect, I brushed some black paint there (not enough to blot, just enough to fade out). The eyes were painted black too, with yellow for the irises. The teeth and gums were done in acrylic paint. Both the teeth and eyes were covered in High Gloss Varnish to give them that wet look.

I didn't have any gold paint that had a nice reflectivity to it, so I mixed a goldish tone in acrylic, painted the words on, then lightly brushed white on top of that to make it appear to be reflecting higher amounts of light. This was also varnished over to exaggerate the effect.

The last stage was the belt, which was simply sewn together from the faux leather and built onto a buckle I already had. This was roughed up with sandpaper too.


The final result is a fun twist built around one of my favorite things from Harry Potter. Once the fur dried, it no longer had a nice smooth feeling to it, but rather a rough matted plushness suitable to such a hostile creature. Again, though at times I did strive for accuracy from the movie version, it was made completely out of materials I had lying around and is not meant to be a fully accurate reproduction. My main goal was the hope that this book cover would help to inspire the artist to fill the pages with exciting images!

UPDATE: This got a Daily Deviation on deviantART!

Monday, October 1, 2012

Making chain mail is fun!


My first time working on chain mail! It's pretty enjoyable, kind of like working on a puzzle. Since it's a repetitive process, I don't have to focus too strongly on what I'm doing so I can link them together while watching a movie or whatever. Can't wait to show what this is for soon! I'm planning this costume for NYCC. More to come soon!

Wednesday, August 1, 2012

Cilan Progress 2

Ah been a long time since I updated! I get so caught up in stuff that I forget to. I make sure I take lots of progress shots when working on cosplay but always forget to upload them! Anyway I'll do some various posts over the next few days to catalog what I've been doing a bit. So I'll start where I left off with Cilan. The costume's production went very smoothly leading up to Anime Boston.

Here's the finished shoe. The loafers were cheap ones from Wal Mart but they do the job. They're Dr. Scholl's brand too so really comfortable, perfect for a con. I bought the yellow laces separately of course.


Here's how I made the button on the vest. Using the same bright yellow fabric I used for the back tab of the vest, I cut ovals larger than my cardboard base and snipped them all the way around so the finished design would look more oval. There ended up still being a couple points here and there but I think it looked good. After gluing the strips to the cardboard, I covered them in more glue just to seal it up. I think I used Sobo glue maybe? And then I used sticky back velcro to adhere them to the vest.


Here's a test using the colored hairspray. I always use the Jerome Russel brand. It produces very strong saturated colors and looked really great in the final form.


Another test after having sewn poor Pansage's tush to my shoulder.


And the finished cosplay! I'm toying with the idea of making the waiter's apron and napkin when I cosplay this again sometime.


Thursday, March 29, 2012

Cilan Progress

Here's some progress shots for my costume of Cilan from Pokemon Black & White! Coming along pretty well.



Sunday, March 4, 2012

Just look at that comparison!


Did a big cosplay shopping trip today! Finally got proper colored fabric for the jacket of my Klavier Gavin cosplay from Apollo Justice: Ace Attorney. I took the photo to show the comparison. Unfortunately it's a crappy cell pick that doesn't bring out the real quality of the cooler purple in the shadow of the jacket in the artwork, but I think you get the idea. I'm not sure I've ever gotten a fabric so close before! I originally made the costume in July for Otakon, rushed it a bit, and ended up not realizing the color of the fabric I got for my jacket was completely wrong. It was a cool purple rather than warm. In fact, I didn't even notice until just recently! Made sure to have the art book on me this time. Go plenty of other things too - a rather expensive Jo-Ann's trip, but I think it will pay off in the end. Working on 3 costumes for Anime Boston. Time to move forward. Gonna try to schedule my time out for the rest of the month so I can divide time between cosplay and art to get everything finished.